|
Further Comments
MARGARET POMERANZ: It really is a laugh out loud experience, isn't it, David? DAVID STRATTON: It is. I think that Shane Black has saved the best script for him to direct because I think MARGARET POMERANZ: Wouldn't you? DAVID STRATTON: Well, I would, if knew I was going to direct like that. It is a very clever script. It's full of wonderful touches, like the Raymond Chandler titles of his novels that appear as chapter headings, and of course there are Raymond Chandler situations, like the lady in the lake. MARGARET POMERANZ: Yes, exactly. Oh, and that lady in the lake is such a great scene. DAVID STRATTON: Yes, and there is a little sister as well. So there is all these things. I love the use of narration by Robert Downey Junior and the fact that in one case he even says to us, the audience, "Well, okay, are you getting it now? Do you know who the killer is?" MARGARET POMERANZ: It is, it's a real dialogue with the audience. DAVID STRATTON: Yes, it's a very knowing MARGARET POMERANZ: I'm telling, you know, no one out there a story. DAVID STRATTON: Yes, he's taking us into it. MARGARET POMERANZ: It's such a "nod, nod, wink, wink" film, isn't it? DAVID STRATTON: Yes, Kiss, Kiss, Bang, Bang, nod, nod, wink, wink. Right from the opening credits you know you're in good hands. MARGARET POMERANZ: Yes. DAVID STRATTON: It's a lovely film, I think. It's funny and it's exciting. MARGARET POMERANZ: And they enjoy it and it makes it easy for us to do, too.
|